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Curtain Call: Stage Decoration & Supplies CEO uses T’ai Chi to find calm and enjoy success

by David Baily | Contributing Writer

Friday, May 1, 2010 | Modified: Monday, May 4, 2009

GREENSBORO, N.C. - In 1984, Bob Thurston left the post he had held for 10 years as the lighting and scene designer at UNC-Greensboro’s theater department to sell lighting systems for a stage-equipment company.

“A lot of my friends asked me: ‘What are you going to do to satisfy your creative impulses,’” he recalls.

Not to worry, said Thurston, now the CEO of Greensboro’s Stage Decoration & Supplies Inc., the largest supplier of theater curtains in the United States: “I discovered business requires a high degree of creativity. It turns out that now that I design more in a morning than I would do in a week or more at school.”

His designs — and the massive stage curtains his 35 workers sew — hang in venues as diverse as the Kennedy Center for the Performing Arts in Washington, D.C., Nashville’s Roy Aycuff Theatre in Opryland USA and in no less than the Palace of the Sultan of Brunei. On June 6, Stage Decoration’s handiwork will be on display in the Dallas Cowboys’ brand new stadium when the massive curtain made in Greensboro rises and George Strait steps out on stage.



Bob Thurston has ruffled a few feathers on his way to growing Stage Decoration & Supply Inc. in Greensboro. But the CEO of the theater-curtain manufacturer has tempered his managing style with T’ai Chi.


 That last job, “a really big deal” for Stage Decoration as Thurston describes it, is typically Texas sized — 8,000 square yards of fabric as tall as 150 feet with a cost of $400,000. The company had to rent temporary warehouse space in Browns Summit to have enough room to complete the job.

Finding outlets in the business world for his creativity was not the problem for the Columbia, Mo.--born Thurston, whose father was a postal worker and mother was a homemaker. What was problematic though, he says, was unlearning the management style that served him so well on-stage and off in the chaotic and volatile theater world — a style that did not always play as well on the sewing-room floor.

“I used to be a screamer,” Thurston says with the bluntness that’s still a trademark of his direct and no-nonsense style. “It was sort of management through intimidation.”

It’s understandable. By temperament, drama students are not exactly shrinking violets. “Someone had to be in charge,” he says. Once upon a time, he routinely “spoke to someone 3 inches away from their face at 85 decibels.”

Flawed or not, that management style continued to work for him in the business world. The company thrived after he bought it with a group of partners in March 1989.

“Stage Decoration is the top-quality performer in the market because of the dedication to quality and innovation that Bob Thurston demands,” says Bob Lewis, president of KM Fabrics Inc., the Greenville, S.C.-based manufacturer of most of velour that Stage Decoration uses. “He is tough on his suppliers but raises the bar when it comes to a quality operation.”

Taylor made

Started in 1923 in the living room of Raymond and Bertie Taylor, Stage Decoration and Supply was run for years by Raymond Taylor, who was the dean of UNC-Greensboro’s theater program, the man whose name is on the front of Taylor Theater on Tate Street on campus. The Taylors’ son, Bill Taylor, ran the company until 1981 and was Thurston’s friend and mentor.

Thurston said that when he took charge of company, originally named Stage Equipment Co. of America, he immediately realized he needed to change the way it priced its jobs. The business plan, he says, seemed to be “sell cheap and go fast.”

What was needed, Thurston decided, was no less than a sea change in the company’s basic philosophy: “At that point I said we’re going to be the best in both product and services, and the profits will take care of themselves.”

Thurston developed a spread sheet that the company still uses to price jobs, not just by the linear yard as had been done, but factoring in how much work went into the laborious sewing at the bottom and top and edges of the curtain and how long it took to add grommets, hooks, eyes, tie lines and the chains used to weight the bottom of the curtains.

“I knew how to price curtains,” he says. Next came quality control. “What I say to the employees is, ‘The only time something can leave here that’s not perfect is because I said so.’ All they need to do is make it perfect or just say we’ve got a problem, and then I say, “Yes, it’s a problem or not a problem.’”

Thurston used the same management style to get his point about quality control across as he had as a theater director.

“I fired the sewing-room supervisor. That one event is what gave me credibility,” he recalls. “I said, ‘You are no longer working here, and it’s not because you don’t know what you’re doing, but it’s because your personality is affecting our product.’”

He also decided he couldn’t accept any and all business that came in the door and still maintain the level of quality he wanted.

Charles Tuttle, a Greensboro management consultant to small- and medium-sized businesses, says, “Stage Decoration is one of the few businesses I know of that is thriving when everyone else is suffering. Bob does something that others do not: If he cannot make money with a customer, he will ask that customer to get another supplier. For Bob, not all customers are created equal.”

Finding balance

Thurston actually himself admits “firing” customers who “get on their high horse. It’s silly to have this expertise and not to offer it,” he says. That kind of attitude, though, has prompted some interesting feedback — and ultimately, some personal changes for Thurston.

“Have you been a control freak all your life or has this been a recent thing?” he remembers one of his employees asking him. Of his rants and raves, Thurston says, “It probably hurt me more than them.”

Although he counted himself successful both in his business and private life and could play a mean game of competitive tennis, Thurston realized, “I didn’t feel good about myself, and I didn’t feel good about playing tennis, win or lose. I was never happy about it.”

Then he saw an item in the paper about a t’ai chi demonstration. T’ai chi is a 2,000-year-old Chinese discipline, originally a form of self defense, but now practiced mainly as a form of exercise. It uses deliberate, smooth body movements to attain a state of relaxation, for both the mind and the body. After attending the demonstration, Thurston was hooked: “I don’t know what the forces are, but it gave me a way to calm down.”

It also affected how he viewed his business and private life.

“Balance is a big deal in t’ai chi,” he says, “balancing physically and emotionally. And I started applying that to my business, our profitability, our product quality in the workplace. It wasn’t immediate, but it was strong.”

And he says it changed his management style: “I’m the poster child for a manager who calmed down.”

“Bob was a stickler for detail,” Tuttle says. “He pushed people hard. Now he gets more done by pushing at select spots in a calm way. He realized through his t’ai chi practice that relaxed intent can move large objects.”

“It made me a better person,” says Thurston. What’s more, he says, Stage Decoration & Supply “became a calmer, more productive place. And I can tell you one thing, our employees sure like it better.”

Company Profile

Name: Stage Decoration & Supply Inc.
Address: 3519 Associate Drive, Greensboro 27409
Phone: (336) 621-5454
Web site:  www.stagedec.com
No. of employees:  35
Year established: 1923
Biggest problem: Keeping our suppliers on their toes to maintain quality standards
Solution: Constant vigilance 


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Stage Decoration & Supplies, Inc.
3519 Associate Drive - Greensboro, NC - 27405
336.621.5454 - 888.220.3174 - fax 336.621.5484
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